Horrific Beauty
For as long as there have been children and beds, there has
been ‘something’ lurking underneath the bed. Childhood monsters will never go
away. We naturally fear the dark and when we are children our imaginations
start to run wild. To make light of these monsters, Hollywood has made some fun
family films like Little Monsters and
my ever favorite Monsters, Inc. These
films show us that there is nothing to fear about the things under our bed or
in our closets. Of course, there are some filmmakers that feed on our dread and
create movies that cement our suspicions of the dark. Movies like 2014’s The Babadook.
Life is hard for single mother Amelia Vanek (Essie Davis Burning Man) and her seven year old son,
Samuel (Noah Wiseman). After losing her husband in a car crash on the way
to the hospital to give birth to Samuel, Amelia has never felt close to her
son. However, Amelia tries her best to be there for her son amidst his
outbursts and being kicked out of school. Amelia’s stress becomes worse when a
mysterious children’s book appears among her son’s collection. Trying to get
Samuel asleep one night, he suggests the book named The Babadook. Laden
with images of fright and violence, Amelia tries very hard to rid the little
family of the terrifying book. What Amelia doesn’t realize is that, “you can’t
get rid of the Babadook”.
This movie gave me chills. Literally chills. I truly believe
that this was the best horror movie in years and ranks up there with some of
the classics. The movie was not about the gore or cheap thrills, but relied
heavily on the audience’s psychological fear. The filmmakers show very little
of the Babadook in a way that Takashi
Shimizu barely shown the girl in The
Grudge. The film’s two leads are amazing and the writer/director shines so
brightly in their first feature outing as a director.
I’m going to start with Noah Wiseman and his great
performance as Samuel. For his first acting gig Wiseman takes such an advanced
type of character and pulls it off beautifully. Samuel is not a normal child
character in a horror film in a sense that the film rests of his shoulders.
Wiseman establishes himself as a pillar of the film and does a wonderful job
getting the audience to believe that he just wants to be recognized by his
mother. Essie Davis was remarkable in this movie as Amelia. Right from the
beginning Davis’ Amelia is hanging on by a thread. Its Amelia’s slow decent
into madness that was awesome for me. Davis subtly morphs her character into a
woman that is one slight touch from cracking. I also loved the way that Davis
looks like she could resent Samuel during the beginning of the film. I know
that is weird to say, but her distaste for him slowly changes into real love as
the film nears the end.
Jennifer Kent is
the first time director that paints a beautiful picture on top a canvas of
horror. I loved Kent’s direction of this film and can’t wait to see more from
this young director, but it is her script that I am going to praise the most.
Kent is able to take a very real fear for a lot of people and turn it into
something that we all have to deal with at one point in our lives. The
symbolism that is laced into this movie is so moving that I found myself really
looking into myself and wondering. Kudos, Ms. Kent!
The Babadook is an
incredible horror film with a huge underlining meaning. First time director
Jennifer Kent has established herself as a director/writer to keep an eye on
and the acting from the cast was outstanding. I will not be surprised if this
film will be placed in the ‘classics’ column in the next few years.
The Verdict: Worth
Your Time.
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