Warning Lights Are For Dudes
WAAAYY back in February of 2015, I wrote a little rant about
my ‘childhood classics’ (can read it here)
and how I am furious that Hollywood seems not to covet anything. I still feel
this way even a year and a half later. I think some films should be left alone
and should be enjoyed as is. Generations of movie goers need to experience
films like Back to the Future or The Goonies the way they already are and
not in a new shiny way Hollywood wants to present it. This subject infuriates
me even as I am writing this and that anger was sparked in February of 2015 by
the news that a new Ghostbusters film
was going to be released without the help of Harold Ramis (writer of the original who passed way in February
2014) and Dan Aykroyd (writing
partner of Ramis for the original film). I strongly believed then and still
believe today that Columbia Pictures
should have shelved this project immediately and let the franchise rest in
peace along with Ramis himself. Yet here we are, July of 2016, and Columbia
Pictures has gone and released a new version of Ghostbusters. Ugh…
The Story:
Particle Physicist Erin Gilbert (Kristen Wiig Bridesmaids) is working hard to secure tenure at Columbia
University. Gilbert’s past ventures into the paranormal, however, have come
back to put her respectability into question. The past comes back in the form
of a book that she co-authored with childhood friend and fellow scientist Abby Yates (Melissa McCarthy Spy).
Due to the book, the head historian of a rumored haunted mansion in Manhattan,
has come seeking Erin and Abby’s help to get rid of a newly risen ghost. The
two, along with Nuclear Engineer Dr.
Jillian Holtzmann (Kate McKinnon Saturday Night Live), investigate the
mansion only to be confronted by a ‘class 4 apparition’. This encounter sparks
the desire of all three women to continue studying paranormal activity. Soon
joined by avid reader and New York born Patty
Tolan (Leslie Jones Top Five), the four ladies discover that
someone is going around Manhattan conjuring up paranormal activity that may destroy
the entire world.
The Good: I went
into this film with an open mind. I struggled with this concept due to the deep
admiration I have for the 1984 classic, but I achieved open-mindedness. Like
much of director Paul Feig’s (Spy) other films, Ghostbusters relies heavily on an awkward type of comedy. The best
way I can describe this, is the main characters are put into these awkward
situations that are humorous to the audience. This is much of what this film is
and I will admit that some it was actually quite funny. The four main
characters do an admirable job of separating themselves from the original cast
and find their own niche in this “Ghostbusting” world. The film wasn’t as bad
as it could have been and seemed to find a way to not overly prove that they
were different from the original.
The Bad: The good
parts of this version of Ghostbusters
are also its downfall. As much as it tries to be different from the original, I
believe that these filmmakers try too hard to bring the comedy out of this film
and forgot that what made the original a classic was that it didn’t have to try
to be funny. The original had the ability to just be naturally funny. This film
is too much like Feig’s other films and that is where I truly think he needed
to separate himself from. This was a chance for Feig to prove that he belonged
among the ranks of Ramis and other iconic comedic writers/directors, but he
slips into the same ol’ same ol’ that we have come to expect from him. Now the
cast does do an admirable job trying to separate themselves from the original,
but they never separate themselves from other characters that they have
portrayed already. Wiig seemed like she was brought right out off the set of Bridesmaids and McCarthy almost seems
held back. McCarthy is such a wonderful presence on screen, but in Ghostbusters it felt as though she was
restraining herself so that she fit with the group and didn’t want to stand
out.
The Verdict: I
really didn’t think that the film was atrocious, but I do believe that this was
the ultimate chance for Paul Feig and his cast to prove to the world that we
were wrong and that a new version of Ghostbusters
was necessary, but Feig plays it way too safe. The winks at the original
film and the cameos of the original cast were nice and nostalgic, but Feig
doesn’t do enough to push this film past even Ghostbusters 2. The cast has a lot of promise but Wiig needs to do
the same and push herself past characters that we are used to seeing from
her. I will swallow my pride and say
that if given another chance, Feig and company could overcome this slump as
long as they take chances and give audiences something new. They need heart and
substance and this film lacked both.
Wait for Blu-Ray.
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