A Boy and His Mother
#14 on AFI's Top 100
is just one among many great films from legendary British director Alfred
Hitchcock (he has 4 films on this list). Among those amazing films, #14 seems
to be the one most associated with the film director. Everyone thought
Hitchcock was crazy when he told people how he planned on making Psycho, but maybe a little insanity was
exactly what this film needed to become the masterpiece it is today.
After stealing $40,000, Marion Crane (Janet Leigh) decides
to skip town and meet her boyfriend in California. However due to a slight
travel misdirection, Marion stops at a lonely looking roadside lodge for the
night. What Marion doesn’t realize is that her stay at the Bates Motel maybe
longer than just one night.
Coming off his success of North by Northwest, Hitchcock decided to take on a much smaller
scale story. Psycho, in 1960, was
considered very low budget and maybe thought by some to be beneath Hitchcock's
level. Hitchcock, on the other hand, decided to make the film and do it in a
way that most thought was weird. During this time every movie was being made in
color, Hitchcock decided to make Psycho
in black and white. Hitchcock did this to make the movie less gory and as
inexpensive as possible. The final product just happened to be one if the
creepiest black and white movies ever made.
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Besides Hitchcock's direction, this film would not have
succeed as well as it has without Anthony Perkins' portrait of Norman Bates.
Throughout the film, Perkins gives Bates a very boyish innocence that brilliantly
hides who Bates really is. Perkins does this so well that when the final
moments of the film play out, the audience is put into a shock at who Bates
really is.
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The Verdict: Worth
Your Time.
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